Sketch of George Chakhava’s partially completed Ministry of Transportation building, Tbilisi (via here)
Eras. Knightsbridge, September 2017.
Pavilion Road car park. London, September 2017.
The preserved facade of a row of demolished Victorian mansions, looking like a film set. Soho, September 2017.
Martin Parr – Wales, 1989
Jože Plečnik was an incredibly resourceful architect. He built architectural masterpieces, reimagined the city of Ljubljana, was an indefatigable teacher who developed his own idiosyncratic architectural language. However, his universal appeal, especially for today’s architects, is too often obfuscated by all these diverse achievements. What truly sets Plečnik apart from his peers, then and now, is his ability to establish connections, to create a unique relation between the human subject and his environment.
This idea goes way beyond the design of a single object or building. It encompasses movement, time and – with it – a multitude of spatial configurations. In this sense his appeal to classical forms was a specific means to achieve a different end goal – to communicate, provide orientation, establish identity. Because Plecnik saw the city as an organism and was wary of formal systems to induce change in urban environments his intentions can be grasped best while walking through the city of Ljubljana. There is no single grand view, but there are many discoveries of delicate visual and spatial experiences. Only through the collected memories of experienced situations the entire picture of the city and Plečnik’s vision become apparent.
This autumn a UN Habitat sponsored document on urban planning will be published which focuses on the idea of creating open complex and rich environments through cross-linking spatial components and urban functions. This is exactly what Plečnik excelled in 80 years ago. Therefore we will raise the question: What can we learn from Plečnik today (while staying true to his intentions)?
An open editorial dialogue with Aljoša Dekleva, Tina Gregorič (dekleva gregorič architects), Christian Burkhard, Boštjan Bugarič (Architectuul), Andrej Hrausky (Dessa Gallery, Architectural Center), Ana Porok (Plečnik House), Thibaut de Ruyter, Maruša Zorec (Arrea Architecture) and with a presentation of the topic will take place at the Plečnik House, Friday 20 October at 6 pm. We will meet ahead of the event at 5 pm in front of Križanke for a 45-minute walk through Plečnik’s Ljubljana.
The event will be held in English, the entrance is free. Please confirm your attendance in advance: firstname.lastname@example.org or 01 24 12 506.
Tina Gregorič graduated at the Faculty of Architecture Ljubljana and at the Architectural Association (M.Arch with distinction) in London. In 2003 she founded dekleva gregorič architects with Aljoša Dekleva. Since 2014 she has been a professor at the Vienna University of Technology, Austria.
Aljoša Dekleva graduated at the Faculty of Architecture Ljubljana and the Architectural Association (M.Arch with distinction) in London. In 2003 he founded dekleva gregorič architects with Tina Gregorič. In 2013 the practice received the Plečnik Award.
Andrej Hrausky graduated at the Faculty of Architecture Ljubljana in 1976 and has been a member of the editorial board of AB and Arhitektov bilten. He has curated over 200 exhibition and founded the Architectural Gallery Dessa in Ljubljana. He wrote several books and articles about Jože Plečnik.
Ana Porok is an art historian. She was the curator of the Plečnik Collection at the Architecture Museum of Ljubljana from 2002 to 2011. As a curator for architecture and design at the Museum and Galleries of Ljubljana she worked extensively on Jože Plečnik.
Thibaut de Ruyter studied architecture in Lille and Copenhagen. He graduated at the Lille School of Architecture with distinction. He is a curator, architecture and art critic and writes for the magazines L’architecture d’aujourd’hui, Artpress, Il giornale dell’architettura, Particules, Fucking Good Art and Frieze.
Maruša Zorec is an Associate Professor at the Faculty of Architecture Ljubljana. Through her work she pursues a wide range of interests, from set designs for television to urban interventions and renovations of historical buildings. She renovated the Plečnik House.
South Ruislip Library, Hillingdon (1970) by Douglas Stephen & Partners
Now demolished, this library in South Ruislip was designed by Douglas Stephen & Partners as a steel frame, transparent single storey building. A similar library in Long Lane, Hillingdon by the firm still exists.
Image from RIBApix. Taken by Peter Baistow.